KIDS ARE GOOD: THE FAMILY THAT MOLA. Every year we come with the same story. Time passes and it seems that the stories are repeated and that there is no place to put some originality or freshness that hits theaters. Multiply by two films nominated for Oscar and divided by the same figure the actual quota of quality or ingenuity. They take advantage of it. That progressives demand (every February) a history of this light that does not harm anyone and that there is enough film, make no mistake, the major studios have to cover the list of candidates. Because it is not that mothers are lebianas or that the Chinese live crammed into a warehouse, barely heated by stoves balance. The variations are minimal, increasingly noticeable in the strength of that speech that have been carefully worked over the years, reluctantly cast between mediocrity and boredom. De Boys are well saved by Mark Ruffalo paper and a pair of Graciet. It does not work as comedy because the tone is very high. Y cuesta pensar en la historia de esta familia desestructural, que será como Lisa Cholodenko convenció a los productores para meterse en este jardín, como un drama creible.
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